I and sculpture are a struggle between mass and void, a dance of lines in perfect fluidity to the rhythm of varying sizes to embody beauty. I pay close attention to form in my work, attempting to utilize the surrounding space. I sometimes tend to create an internal void to give the work more vitality and dominance over its surroundings. I am interested in the movement of internal lines, following them meticulously. I prefer strong, powerful movement executed with fluid, flexible lines. In some of my works, I used straight lines intersecting at an angle to represent geometric (cubist) spaces. This wasn’t a desire to work within the framework of Cubism, but rather an attempt to experiment with different styles. I felt that using sharp angles with subjects of a fluid nature gives a very attractive aesthetic vision. As for my wall sculptures, I have been very inclined to use traditional motifs, employing Pharaonic and Kushite inscriptions, African motifs, masks, and some religious heritage themes.